Wild Painting

The Wild Painting is a painting first introduced in. It is based upon Tawaraya Sōtatsu's Fūjin-raijin-zu, from the 17th century.

The painting depicts Fūjin, the Shinto god of the wind (pictured right), and Raijin, the Shinto god of the lightning, thunder and storms (pictured left), in a diptych style painting in four divisions. It makes use of Ma, a Japanese concept of spacing and intervals.

Authenticity
In, forgeries of this painting are flipped horizontally.